Tuesday, July 19, 2016

Open Studio Video 2016

It is Open Studio season here in Cambridgeshire and I have returned to my habit of making a "walk through" video to lead you around the space and highlight some of the things on display.

Here it is:




 Go here to watch it full screen

Much of the new work on show has not yet been added to my website but some can be seen here in my Etsy site:

https://andyenglish.patternbyetsy.com/

This isn't the end of my Open Studio this year. You can visit during the last weekend, July 23rd - 24th between 11am and 6pm. You don't have to buy - you are most welcome to come and see how the work is made.


Thursday, July 07, 2016

Exhibition of Fifty Wood Engravings at The Old Fire Engine House, Ely.

I am really pleased to be showing my work at The Old Fire Engine House in Ely, Cambs. This is my fourth exhibition there and I am hanging fifty works, including a great many new engravings - many on show for the first time.

One of the reasons that I like showing in this space is that the setting is domestic, rather than "white cube". I can hang things in groups and have chosen to do this with the Honeybee stamp illustrations and the five owl images that are included in "The Elegant Fowl", a book of printmakers' owls.

Here is a peek:


Here are details - you are most welcome to come to the Private View if you are in the area:

Click here for further details of the opening hours


Thursday, June 30, 2016

Open Studio 2016



Its that time of year again and I am spending the day getting things ready for the first weekend of the Cambridgeshire Open Studios. I am open on the following weekends between 11am and 6pm:

Weekend 1     July 2 - 3
Weekend 2     July 9 - 10
Weekend 4     July 23 - 24

This is the first year that I have opened for three weekends and there is another big change here. The last couple of months have seen the studio extended and given its own front door and windows so be one of the first people to see the new space.





There will be lots of new work as well, including the engravings I made for the Royal Mail Honeybee miniature stamp sheet. Hand coloured  impressions of these blocks will be available, together with my full range of wood engravings and handmade books.


 I will have an engraving "on the go" and "Red" the Albion handpress will be working.

Another new engraving is this artwork for a vinyl release by Glasgow band Nieves:



Yet another change is that I am now able to take card payments. I believe that Open studios should be more than just a shop but we do offer work for sale during these events.

Here are the details:



 It would be great to see you there - do please feel free to come and look round without feeling you have to buy anything, although you might be tempted by the handmade cards and box of
£10 engravings ;)






Friday, June 03, 2016

Forthcoming Events, Part 1

Exhibition season is well under way now and I delivered a groups of framed and unframed engravings to the lovely Melford Hall, a National Trust Property in Suffolk:



Details are on the website  and here:



As you see, there will be demonstrations and I will be there with my engraving kit on Sunday 19th June between 2 - 4pm. I would be very pleased to show you how it all works.

I know I have not been posting much but I hope to remedy that very soon with more events, a review of recent books featuring my engravings and a peek at my newly remodelled studio.

Watch this space!


Tuesday, March 01, 2016

The Hepworth Wakefield Print Fair, March 5th-6th 2016

One of  my favourite events of last year was the Hepworth Wakefield Print Fair and I am very pleased to announce that I will be there again this year. The fair takes place in the Calder, a large, spacious, old industrial building on the same site the wonderful Hepworth Gallery itself.


I will be bringing a large selection of my wood engravings and some handmade books. I always make sure that I have some low-priced, affordable engravings on the table.

As usual, I will be working during the weekend. This year I will be working on an image that features the gallery building as well as.... but that would be telling ;)


 This event will see the first appearance of much new work. 2015 was a very busy year for me and I'm looking forwards to showing off the new things. Here are some details from engravings which will be on show for the first time:

 
 
 
 
 

One of the most exciting parts of 2015 was when Royal Mail issued  a miniature sheet of stamps featuring my hand coloured engravings of honey bees:


I will be showing some hand coloured engravings printed from the original woodblocks that were used for the stamps. This is the first time that these will be available. Here are a couple of examples:



The Print Fair is open on Saturday 5th and Sunday 6th March from 10am - 5pm. Admission is free!
Further details are available here:

Do come along and say hello; its always great to meet people who have seen my work on my website, blog, Facebook, Twitter, Instagram etc.




Wednesday, December 09, 2015

The Illustrator's Christmas Fair



I'm often asked if I sell my work at any London events so I am very pleased to announce that we will be bringing as many engravings, handmade books and engraved Christmas cards as we can carry down to Kings Cross on Saturday 12th December.

The Illustrator's Christmas Fair is taking place between 12 noon and 6pm in The Granary Building of Central St Martins Art College, a short walk from Kings Cross mainline and underground stations.

See HERE for more details.

As usual with these events, I will be working on an engraving so you can see how I do what I do and ask any questions. If you want to buy, just a reminder that I will not be able to accept card payments but I will check out the location of the nearest ATM and carry some change.

It would be great to see you there!

If you can't make it, there is still time to order Christmas cards from my Etsy shop and engravings from my website.








Saturday, October 03, 2015

Honey Bee Postage Stamps. Part 2 - Engraving and Presentation


One of the first decisions that I had to make was how to deal with colour. My wood engravings are monochrome; I do not make multi-block coloured engravings and seldom really like them, unlike Japanese style multi-block coloured woodcuts, which I love.

The bookplate which had interested the designers at Interabang was hand coloured with watercolour.
This is something I have done from time to time to make unique prints - I can trace my interest in doing this back to my love for the work of William Blake who hand coloured his illuminated books, often with very different treatments of the same images.

I decided to hand colour the stamp engravings. I kept records of the colour notes that I made in my sketchbooks as I went along:


The other decision that I had to make was how big to make the engravings. With my imaginary stamps, I always engraved them on small blocks to be printed directly from the wood. I decided to engraving the real stamp designs three times larger that "life". This was a arbitrary decision but when I reduced the first proof to stamp size, I was happy with the level of detail.






1. Pollination

Because I was working larger than the final design, I could cut fairly freely; in fact I had to make sure that I didn't slip into my normal way of working and engrave tiny, detailed marks. The sunflower was roughly sketched onto the darkened endgrain block but I took more care with the spirals in the centre.




I cut a couple of bees flying away from the flower. One of these was later removed. You can see that I used a rectangular block, leaving an uncut area at the bottom. I had plans for this after I had finished the project.


Here is a proof from the finished block. I made several different coloured versions of each design to send to Interabang, giving them the final choice of which version would be used. I found them very easy to work with and enjoyed the collaborative aspects of this project, having absolute trust in their judgement.


2. The Waggle Dance

This was a fairly straightforward engraving. I made a careful drawing and as much time was spent clearing away wood as on engraving the details.




This engraving went smoothly. After proofing, I began to try out some colours. I subsequently thinned the lines of the engraving.


At the same time as engraving this block, I engraved some sets of extra bees in case they were needed. I called this "The Subs Bench" - here are some of them:









3. Making Honey

I enjoyed engraving this block very much and was very pleased with the results.





 Unfortunately, this design wasn't approved as it stood and so I made a new version based on the central portion. In order to keep the width of the engraved lines the same as the other images, I engraved this on a smaller scale - twice the final size.





4. Tending Young

I started each of my attempts at engraving this design with careful marking out of the honeycomb:


In my first attempt, I fell back into old familiar ways, engraving with too much detail, giving a very muddy result when the image was reduced:


The second attempt reduced well but the bees were too well contained within the image:



 The final version had more of a bee breaking out of the shape of the honeycomb. We were all happy with this one:


Again, I made several different colourings of the engraving.






The next part of the project was to engrave the lettering for the titles of the sheet and individual stamps. In reading about my work, Interabang had learned of my love for the typeface "Albertus" and we based the hand-cut lettering on that.




Here is an early proof from the block:


There was room at the top of the block to engrave the overall title, substituting a hexagonal cell for the letter O:


The last engraving to be done was the border, which I did in two parts:



Now it was up to Adam and Ian at Interabang to put all of the elements together and make a sheet of stamps!


I had to wait from June until the following August to see the finished stamps, which were issued on the 18th:


 


  







Here is the presentation pack:


I also treated myself to four different First Day Covers:



I was particularly pleased to find that one of the Royal Mail covers was franked with a quotation by William Blake. Once again, invisible threads link different aspects of my work.





 I was very proud to go along to the post office and buy some:










Postscript 

This project started with a bookplate and it ends with one.

The Pollination block had an area of uncut wood below the image of the sunflower. I used this to cut my name - using the same Albertus style of lettering - and a few more bees:



There was just a little too much space between the lettering and the flower so I removed a slice of wood before printing - and hand colouring it:

It was quite a journey. I am still thrilled to have done this. We must preserve our honey bees!